flake music
"when you land here, it's time to return"
Reviews
MOD Magazine: Issue No. 5
Pastoral landscapes whiz by the cockpit of a '64 Fairlane, windows rolled down. Hot winds blow loudly at highway speeds, as the quivering tar and rubber connect like intertwined pubescent sex twins in the backyard grass. Landscape paintings, oil paintings; the artist's brush colors in the dull browns of the national park with vibrant green and sky blue. Close your eyes and walk hurriedly from the library bookshelves and the air conditioned stale air. The bright, hot sun burns a yellow circle into your retina for minutes after exiting the art deco tiled interior. Book in hand, you run for the shade of a tree to draw upon you imagination as your brain mouths the words of fictional (yet believable) characters. The guitars and closed-eyed singer embark upon a nearly volume-less journey. Albuquerque songs sun-drenched and hot add color to an already colorful picture. These are car songs, and book songs, and nature songs, and should be listened to with eyes closed regardless of the day outside your window pane.
Keith York
Lost at Sea
Last August, as the Midwestern heat turned to a sticky, super-humidified
mess that I could hardly take, the Shins delivered me the perfect
late-summer soundtrack for the four o'clock bong hit, a powder-blue clad
compendium mesmerizing with light, wispy guitar tones and overtly pop music
that is both traditional and avante at the same instance. This year, they do
it again, with the re-release of When You Land Here, It's Time to Return,
the lone full-length album the four Albuquerq-sters released under their
former name, Flake Music.
Like last year's Oh Inverted World, this album contains eight tracks of
respectable, somewhat literary lyrics delivered in varying pitch that always
blends with or compliments the guitar tone. What Flake Music's album is
about is essentially summed up by James Mercer's introductory lyrical
observation in the opening track "Spanway Hits"; "use a pen to reflect what
you've got left to protect on the old dusty shelves in your childhood room."
In honesty what When You Land Here, It's Time to Return represents isn't
exactly positive, when taking into consideration the hindsight that 2002
provides, considering it's now five years since it's initial release and
there isn't a heck of a lot of obvious stylistic growth between the Flake
Music past and the current Shins sound. Perhaps this fact gives a little
more weight to what I wrote in my review of the Shins' debut last fall - "If
Oh Inverted World had come out on a smaller indie I'm positive it would have
been bashed like only Wolfie can imagine, but since it bears the Sub Pop
hipster seal, it has gone out largely unscathed."
When it comes down to it however, Flake Music provide a welcome
accompaniment to Oh Inverted World (an album that one can't help but end up
liking despite all of its shortcomings), and When You Land Here, It's Time
to Return is an acceptable stop-gap measure in tiding us over until the next
Shins album, which will hopefully be a bit more evolved. For now, if you're
Jonesin' for some more Shins or even a fresh dose of that Beachwood Sparks/
Beach Boys/ Olivia Tremor Control sound, this will serve you nicely.
Eric J Herboth
ALIVE
& KICKING - July 1999 "The latest release from Davis' Omnibus
Records is a sugary pop delight that marries the geek love of Weezer with
the nerdy self-loathing of Built To Spill. The CD's opening song "Spanway
Hits" sets the tone with a whimsical generational musings: "Use a pen
to reflect what you've got left to protect on the old dusty shelves in
your childhood room/ you've got a lot to go on: posters of Simon LeBon."
With swirling, slightly distorted guitars, a wave of indie heartbreak
percussive beats and sly lyrics, this eight song disc is a stimulating
brain tease." Rachel Leibrock
Santa Barbara Independent
- October 7-13 issue:
Everything that's good about indie-rock and little of what isn't. The
songs on this record give you catchy college-rock minus the superciliousness
("Spanway Hits"), kinetic emo minus the overstatement ("Deluca"), and
retro-pop minus the photocopier ("The Shins"), all tied lovingly together.
Delicate filaments of bass and rhythm guitar harmonically interweave,
forming a web that's handy at catching angry-sounding guitar-insects.
The vocals are down-to-earth and direct, yet they soar whenever the lyrics
request it. Each song is melodically winsome and structurally inventive.
Unfortunately, with its pillow-stuft drums and treble cranked back 10
dbs, this disc (on Omnibus Records) snaps firmly into the "low-fi" column.
And I'd like the music even better with fewer retro cues...but then I
hate the Beatles, so I might not have much company there. Highly recommended.
Dennis Tivey
Flipside
- "Hey, what a surprise, I like this - the chords are ethereal and
the songs are winsome - they build and rest on melody - this is pretty
good. It reminds me of sitting on the porch in Cleveland with a full bong
and a Dr. Pepper. Nice record. I'm gonna play it again." Stone
Cold Steve Austin
Also
check out this Konketsu
review.
ZUM
- "This is one of those CDs I could put on repeat indefinitely - totally
catchy songs that you have to savor, because before you know it, the album's
over. These young lads from Albuquerque seem to have come out of left
field with this great release. Fuzzy, warm, lyrically intelligent. "Spanway
Hits" starts things off talking about cultural artifacts that are the
common things we share (e.g. "posters of Simon Le Bon"). The singer sometimes
sounds like Robert Smith; at other times he hits this falsetto high, and
it's all completely charming. The music's not unfamiliar, but there's
a freshness to the delivery - you can't help but like it." yc
Shredding Paper
- "This one's been out a while, so I missed the boat, cause this is excellent. A bunch of hook filled wimpy indiepop with a guy singer with a high voice. Some regular guitar jangle, some acoustic, some strong bass lines; it adds up to some really memorable tunes." mel
Songs:
spanway
hits
blast valve
roziere
structo
deluca
mieke
the shins
vantage
+extra hidden tracks
This
is OMNI016
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